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Saturday, March 22, 2003

More deadline blues
(Potpourri) One down, one to go; I'm still working on Monday's
Audio Archive update, so here's another quick set of links:

  • With Marvel's new pre-orders regime finally gumming up the works once and for all, Diamond Distribution has finally given up on releasing statistics based on initial orders. Good -- they were inaccurate anyway.

  • In movie glut news, a report by the Associated Press notes that as part of their settlement with Fox Studios over the Mutant X TV series, Marvel has agreed to enter into talks with the Murdoch-owned media empire to "negotiate up to three film and television deals for additional Marvel properties during the next two years". This could make for, what, twenty new superhero film projects coming down the pike?

  • Several web-cartoonists have responded to the recently-begun invasion of Iraq by American, British and Australian forces. On the anti-war side, Patrick Farley and David Rees have weighed in with significant efforts. On the pro-war side -- well, I've complained about the seeming one-sidedness of today's editorial cartoonists on the subject, and it appears that web-cartoonists tend to lean the same way. Seemingly the only pro-war web-cartoonist I can find on short notice is Chris Muir, whose strip Day by Day has taken scattered potshots at Sadaam Hussein (as well as the French and German governments) throughout the past month. Beyond that, the most inflammatory cartooning from a pro-war perspective has come from British tabloid The Sun, whose editors seem to take great delight in dropping French-language anti-Chirac bombs down in the middle of Paris. This time out it's a cartoon of the French head-of-state dressed up as a prostitute, trying to lure Sadaam as he drives by. Sadly, I can't find a copy of this image online.

Tomorrow: back to our regular blogging schedule.
Posted @ 12:01 AM by Dirk Deppey | permalink



Friday, March 21, 2003

Deadline blues
(Potpourri) Here we go again -- I'm up against two deadlines and don't have time to write. Here are the headlines:

  • The Diamondback controversy continues, as college outrages often do. Students are still protesting, and the faculty has gotten into the act. The Diamondback's staff still isn't backing down, however. I'm having a difficult time working up much enthusiasm for the subject; as one correspondent wrote via email, "I would've protested them running anything that bad." Besides, this sort of thing happens all the time -- mix thin-skinned college students with young cartoonists out to provoke outrage, and the resulting story writes itself. (Speaking of which: off in Hawaii, students are still in an uproar over those imflammatory cartoons published by the University of Hawai'i-Manoa's student newspaper that I told you about back on Monday. Talk about your perrenials.)

  • Reader Michael Dooley wrote to let me know that Art Spiegelman's new strip, In the Shadow of No Towers, is now available online courtesy of the L.A. Weekly -- and now, I've let you know, too.

  • It's convention season in Canada! This weekend, those of you on the left side can check out the Vancouver Comicon, while next weekend those on the right side have the star-studded indy extravaganza The Toronto Comic Art Festival to look forward to. That guest list is astonishing...

  • Several people have emailed me to tell me about the Cartoon Art Museum's "Hate Mail" exhibit, which has been picked up in the press lately. The exhibit isn't new (I wrote about this back in January), but it does sound like a good 'un; those of you within driving distance of San Francisco might want to check it out.

Finally, I've fallen behind in my Audio Archive duties for the second month in a row; the new files won't be posted until sometime Monday. If you haven't had a chance to download the current MP3s, which feature Steven Bissette and Scott McCloud discussing creators rights, you've just been given a reprieve. Go download! Scoot!
Posted @ 2:20 AM by Dirk Deppey | permalink



Thursday, March 20, 2003

Planning for Asian cartoon conference causes friction
(Cartooning) China is preparing for the
Sixth World Cartoon Conference, which will be held in Luoyang (Henan province) at the beginning of October. Earlier this month, twenty-two members of the planning committee, who hail from eight nations around the globe, gathered to discuss the upcoming event in Zhengzhou. Among those gathered was WittyWorld founder Joe Szabo, whose website carries a story on the meeting (originally printed in Beijing's China Daily):

"The Chinese and foreign cartoonists were also interested to learn they share more similarities than differences on sensitive issues such as censorship. For example, publications in China, the United States, Australia and Argentina are all cautious when publishing news cartoons that may offend their readership or spark discrimination and disputes in race, genre, religion or international politics..."

One suspects that the international contingent was probably being polite; as the International Press Institute observes, China has its own unique difficulties where journalism is concerned. This is the first year that the conference, originally known as the Asian Cartoon Summit, has been held in mainland China, and despite the rosy picture painted by China Daily, this year's host has managed to produce some unusual strife for the conference. For a description of the problem, let's turn to Taiwan's United Daily News:

"Chen Chih-hua, a ranking official at the union, recently returned to Taiwan after attending a preparatory meeting for the summit. Chen said he was unhappy with the heavy-handed attitude of the Chinese organizers. He said that upon visiting Zhengzhou, he discovered that Chinese officials are attempting to make the summit into an Asian olympics for cartoons and have even changed the name of the event to the World Cartoon Conference.

"Chen added that China gave VIP treatment to visitors of the preparatory meeting, decorated streets with red banners and even had police manage traffic along streets to prevent any tie-ups. Upon arriving at the meeting site, Chen said the badges of the Taiwan representatives were changed to read 'China, Taiwan.'

"Chen and the head of the union, Lai You-hsien, both refused to wear the nametags and immediately protested the Chinese move, saying that Chinese authorities were attempting to politicize the event. Chen said the Taiwan side demanded that its name in the event be 'Taiwan,' according to the practice in the previous five summits. If that would not be acceptable, Taiwan's bottom line would be to accept the name 'Chinese Taipei,' which is commonly used when Taiwan participates in international conferences. Chen added that if the name issue is not resolved, Taiwan will boycott the conference."

The article goes on to state that the Japanese delegate to the meeting, Chiba Hiroshi, announced that if Taiwan's delegation staged a boycott, Japan's delegation would do the same. In all fairness, however, I should point out that this sort of political monkey business isn't exactly exclusive to China...
Posted @ 2:40 AM by Dirk Deppey | permalink


Steve Bell wins British Press Award
(Editorial Cartooning) The
British Press Awards were held Tuesday evening at the London Park Lane Hilton. This year, the coveted Gong for "Cartoonist of the Year" went to The Guardian's Steve Bell. Tagging along, the newspaper's Media Monkey captured Mr. Bell's acceptance speech for posterity:

"Holding his award aloft, Bell declared: 'Thank you to The Guardian for having me. Thank you to MI5 for employing us and I'd just like to say... fuck the war.' "

A full list of Award winners can be found here.
Posted @ 2:40 AM by Dirk Deppey | permalink


Yet another student cartoon causes outrage
(Editorial Cartooning) Gosh, here's a story you never see.
A cartoon published last Tuesday in the University of Maryland's student newspaper, The Diamondback, has students in an uproar. Daniel Friedman's editorial 'toon, which lampooned the recent death of pro-Palestinian activist Rachel Corrie in the Gaza Strip, sparked an all-night protest by roughly forty students in front of the newspaper's office. The Baltimore Sun reports:

"Newspaper staff member Mark Davis said the paper had received about 2,000 e-mails protesting the cartoon by yesterday evening. Campus police had been called to the paper's office, where protesters, including members of UM's Muslim student organizations, said they planned to stay through the night."

The Diamondback's editorial staff has decided to stand by its decision to run the cartoon: "Though many staff members objected to the cartoon's viewpoint, the editors unanimously determined that by apologizing for the cartoon, we would call into question the First Amendment -- a blessing from our forefathers every newspaper and every protester in America lives by."
Posted @ 2:40 AM by Dirk Deppey | permalink



Wednesday, March 19, 2003

Iraqi cartoonist speaks out on the war
(Cartoonists) The imminent Gulf War II has split public opinion down the middle worldwide, but while much of the North American cartooning community seems to be against it, at least one cartoonist is actually glad to see the invasion take place -- Jabbar al Janabi. Once a popular artist in Iraq, al Janabi's refusal to draw a mural for Saddam Hussein led him to flee to Jordan, where his anti-Sadaam cartoons were published by a local newspaper. After being informed of a possible attempt on his life he moved again, this time to Canada. He explained his antipathy towards the Iraqi dictator to
Canada.com:

"When Jabbar was an art student, he worked in Saddam's palace. He says when Saddam didn't like the work an engineer had done on a marble wall, he ordered guards to take the man.

" 'After two days, he came back with no ears.' "

Since arriving in Vancouver, British Columbia, Mr. al Janabi has worked to establish himself as an artist, and will finally open a studio later this month. An example of his caricature can be seen at the above link.
Posted @ 2:00 AM by Dirk Deppey | permalink


California cartoonist wins freedom of information award
(Editorial Cartooning) While it provided no details,
The San Jose Mercury News mentions in passing that editorial cartoonist Justin DeFreitas has won the Northern California chapter of the Society of Professional Journalists' James Madison Freedom of Information Awards, given out yesterday in San Francisco. Mr. DeFreitas is a cartoonist with Sonoma Business magazine; a gallery of his national-interest cartoons can be seen at his AAEC page.
Posted @ 2:00 AM by Dirk Deppey | permalink



Tuesday, March 18, 2003

Quick takes
(Potpourri) What, again? Sorry, but as usual I'm pressed for time this week, so here are the headlines, minus the usual annoying commentary:

  • Publishers Weekly takes a crack at the rumors that Doubleday is about to fold its graphic-novel line, a story this magazine broke last Thursday. (Thanks to Juliette Torrez for posting the news of the item to our message board.)

  • Also at Publishers Weekly -- Heidi MacDonald notes that manga sales continue to rise in bookstores.

  • Following up on another story first covered last Thursday -- Marvel stock has now been comfortably above the $11.55 threshold for nine days. If the price stays there until this evening's closing bell (which seems likely), Marvel will have the option of converting its preferred shares to common stock, thus ending one more drain on the company's profits.

  • Another longtime comics icon is making the leap to webcomics, as Harvey Pekar's American Splendor debuts online at pay-site Modern Tales Longplay.

  • The Washington Times is carrying a story about a comic book published by the Mexican state of Oaxaca's Office for Attention to Migrants, which attempts to disuade residents from migrating north to enter the United States ilegally.

We'll see if I have time for a full suite of entries tomorrow. I make no promises.
Posted @ 1:05 AM by Dirk Deppey | permalink



Monday, March 17, 2003

The Marvel Movie Doomsday Theory (scratch mix)
(Commentary) It's round two of my attempt to argue that a bust in the current superhero movie boom could have disatrous implications for the Direct Sales Market, and it's done at last. Posting this monster here on the main page would render this page unacceptably long, so it's been given a page all its own --
read it here.
Posted @ 3:05 AM by Dirk Deppey | permalink


Student cartoons cause uproar at Hawaiian university
(Editorial Cartooning) The University of Hawai'i-Manoa's student newspaper,
Ka Leo O Hawaii, is at the center of an uproar over the content of several recent editorial cartoons and a Valentine's Day cartoon feature created by student cartoonist Casey Ishitani. Students have called for the firing of both Ishitani and the paper's Opinion editor, Lance D. Collins, as well as the publication of a half-page apology, plus sensitivity and journalistic ethics training for the rest of the staff. The Honolulu Advertiser has the story:

"More than 50 students crowded a Board of Publications meeting late Thursday to hear complaints about 'offensive' cartoons and articles they said are changing the climate on Hawai'i's flagship state university campus. Two depicted Hitler, one with the caption 'Hitler wasn't all that bad a guy.' Others used derogatory terminology for women, homosexuals and Jews."

The Valentine's Day feature, meanwhile, was a satirical catalog of various types of potential dating partners, including at least two varieties of "ho". The paper itself, meanwhile, just ran a report on a student meeting which took place last Friday to discuss the controversy:

"Johanna Afshani, a law school student, said the Ishitani cartoons only promote hate on college campuses and noted instances of anti-Semitism at other college campuses, on the mainland and abroad.

" 'I cannot believe a college newspaper would allow such offensive and racist views to be circulated,' she said. 'Over the last several weeks, I have pondered and pondered these cartoons and I have failed to find any purpose aside from hurting and blatantly offending various minority groups.' "

Ka Leo's editor, Mary Vorsino, has resisted the calls for Ishitani and Collins' removal, and stated that a response to the controversy will appear in Tuesday's issue. Perhaps as a hedge against further accusations of intolerance, last Friday's editorial cartoon was an amateurish anti-war cartoon depicting a same-sex couple locked in a kiss.
Posted @ 3:05 AM by Dirk Deppey | permalink


Monday Mailbag
(Commentary) Another week, another batch of email responding to items found in the weblog. Our first correspondent is a return visitor from
last week, who wrote in twice to suggest that comics shops might do better if they shoved all the corporate comics in the back of the store and stocked better materials up front. I quibbled a bit with the argument the writer offered, at one point using the words "sour grapes". The writer returned with the following response:

"I think I agree with just about everything you said in reply, though I didn't realize my thoughts appeared to be sour grapes. I guess I'd quibble on that point.

"I honestly like stuff like Hicksville and Jar of Fools and I disagree with corporate visions that can't see how good those are. I prefer to walk into a bookstore that promotes corporate visions that enable work like that to be published. I don't see that as sour grapes, that's choice. How those other corporations make a buck at what they do is not something I worry about unless it gets in the way of me finding the kind of product I like.

"But, I agree with your thoughts. To carry through the analogy of romance novels in bookstores, I wouldn't walk into a store that displays all Harlequin romances in the window all the time. Even so, it would be wrong to never give display space to something that popular.

"The thing is, for there to be sour grapes there has to be no other alternative. Hence the idea of giving up, resenting what you can't have and then tearing it down verbally for no good reason.

"But I can and have read conventional comic books. The last book I actually read was at an acquaintence's house. You probably know the one: the Hulk tears up Manhattan and Captain America because he's horny. That book sucked. No, that really sucked.

"I've looked at manga and keep hearing great things. I've read great things translated in RAW. I hear there's something great in #250. That stuff isn't being translated regularly. In the big marketplace, I see a corporate effort to appeal to the collecting urge of my children. This is not new -- Barbie and baseball cards were there before. But it's never been as orchestrated as it is now. This isn't sour grapes, this is my wife and I teaching our kids to be intelligent and discriminating consumers. This is my wife being fully informed about the books our kids read.

"Fortunately there's other choices for me out there (and my kids). I like them, I want more of them. And these choices are produced through traditional creator-owned publishing deals. Let's see: Horny Hulk smash or something like Rucka and Lieber's Whiteout. Yu Gi Oh's contrived drama centered around a marketable card game, or Tintin in Tibet.

"No contest.

"If what I like can't be found in the direct market because there's no room for them among the corporate comics, I won't go back to the direct market. It's no skin off my nose -- bookstores are generally nicer and they have a wide range of titles -- and if I can't find a comic I like I'll buy a prose novel. If the direct market wants to survive, they better do something different, because my foot's half out the door."

No argument there, and I'm glad you took the time to offer the clarification. Our next correspondent wrote in yesterday after reading my link to this Roger Langridge interview in yesterday's Sunday Scraps, which I ended by stating that "If you're not reading [Fred the Clown], you're clearly some kind of life-hating idiot." The writer replies:

"Or you're broke.

"Or you've never heard of it, regardless of the fact that if you did you'd probably check it out... when you got some cash.

"This is a pet peeve of mine... it happens in all sorts of reviews and other comics commentary. Take Doane's recent 'banning' of readers who did not order Kochalka's Sketchbook Diaries Vol. 3. Maybe if I a) had the money to pre-order stuff every month and b) knew about it / had already purchased and read the first two volumes, I would have not been 'banned.'

"There are SO MANY books and creators that I can barely keep track of the stuff I want to purchase in my head, and the people whose other stuff I'd like to look in to getting. I'm a student with little spending cash and a lot of work, and I don't get sent links and press releases or any other sort of pointers towards all the new stuff coming out (and think of all the stuff already out, too!) For this info, I'm left with checking out sites... one of which is yours. And when you say that because I'm not reading a book I've never seen or heard of, read anything about; a book I didn't even know exist, you say that I am some kind of life-hating idiot? When I see this sort of thing, it doesn't make me want to grab the book. It doesn't make me want to read it, show it to others, discuss it with the 'community.' It makes me, rather, want to skip the rest of your daily news and move on to the next site on my bookmarks list.

"For all the talk of expanding the audience and getting more people to read, well, books like Fred the Clown for example, this is exactly the type of thing that would make the average person NOT want to read it, not want to read your column, and not want to start reading comics. There are thousands of indy bands, for example, that I probably don't listen to because when one of my 'indy' acquaintances asks what I am listening to and I say something like Pearl Jam, they scoff at me and 'my tastes' and name-drop some ultra-hip band I've never heard of along with a comment which, as you might guess, is usually insulting to me. Sure, if they would have let me borrow the disc, or emailed me a track without their scathing commentary on 'my tastes' (how bout 'my lack of knowledge on the fringes of pop culture'?) I'd be happy to check it out, give it a shot with an open mind.

"But no. I don't get in to their stuff because it often seems they like it better that way -- as 'their stuff.' Stuff they know about, they can appreciate, but I can't. Why can't I, why can't more people appreciate 'their stuff?' they might ask. It's probably not 'their stuff' that throws the masses off. It's them, and their insulated group of hipsters and know-it-alls welcoming us into their midst with spit and a sneer.

"Otherwise, great column. Thanks for the daily grind of news and all that. Please keep away from this crap in the future, though, even if it was just a lighthearted jest. It's the same sort of thing you'd expect from a dirty comic shop run by the Comic Book Guy from the Simpsons, or from mindless asses following up the latest superhero point of gossip on newsarama or whatever. Regardless of the subject matter at hand, being a snide asshole is being... And for the record, I think of this as an off-hand slip on your part. I'm not calling you a snide asshole, yet :)"

I suppose I could explain myself by noting that the comment was hyperbole, and that I do not in fact think that those who don't read Fred the Clown are "life-hating idiots". Likewise, I could note that as the obnoxious son of a hellraising white-trash family from Arizona, I have offended people far worse than this for far less reason, and will undoubtedly do so again in the future, offering my apologies for all bruised sensitivities in advance. They tell me it's genetic. Instead, though, I think I'll just point to the one logical flaw in your otherwise well-reasoned email -- I am, in fact, a snide asshole. Asking me to be otherwise is like asking a leopard to change its spots.

Yesterday's link to an article about Phoebe Gloeckner in Salon (which also contained some snide, assholish comments about why I try to avoid linking to said site) brought several responses, of which the following was the most informative:

"Now maybe you're mostly joking and already have their system down, but here's how it goes:

  1. "Go to whatever you want to read.

  2. "Click the 'Free Day Pass sponsored by whoever' that's always in the lower right hand corner.

  3. "The 15-second commecial will start to come up. Fuck that. As soon as possible, click the text link at the bottom that says 'Difficulties viewing this page? Click here.' The ad disappears immediately, taking you directly to your story.

"Granted, jumping through two extra hoops is still a slight pain in the ass, especially if someone's on a slow connection. But, it does help pay for more Phoebe Gloeckner stories, right?

"Oh, and interestingly, if I don't click the 'Difficulties viewing this page' link and actually bother to watch the ad, I get redirected to the salon.com homepage rather than the story I wanted to read. Nothing like piling inconvenience on inconvenience..."

In case you were wondering, this has been our "Oh shit, we're going to get busted under the DMCA" moment for the week -- join us next week, script kiddies, when we'll be posting the DeCSS source code for your downloading pleasure! Seriously though, I suspect Salon wouldn't even need the click-throughs if they'd just take Ken Layne's advice and trim the fat out of their business model. In any event, I'm so hesitant about making my readers jump through unnecessary hoops to get to a story that I'm reluctant to link to The New York Times unless the situation absolutely demands it, let alone Salon.

(Which reminds me: I've received several emails noting that Google News has a deal with the Times and several other registration-oriented online newspapers which allows you to get to a linked article without going through the registration process, and that I should just save that URL and post it here. The problem is that these papers -- well the Times, anyway -- also add a randomly-generated string of code to the URL you land on when you arrive through Google News, and the "free pass" generated by the link is tied to that code. After a couple of hours, the code is deleted from their records, and any attempt to access the page through it after that occurs gets routed straight to their registration page. In short, the trick doesn't work for weblogs.)

Why do I get the feeling that when my readers aren't here, they're bootlegging music on Kazaa? Speaking of which, our last correspondent's email came under the heading "Dirk Deppey's Favorite Legal MP3 sites?", in reference to an offhand comment made last Friday:

"Inquiring minds wanna know! Post!"

Ha ha ha ha -- no. See? Told you I was a snide asshole. Like the sidebar says, send email to weblog@tcj.com -- all email is considered anonymous unless you volunteer otherwise, and assumed printable unless you say otherwise.
Posted @ 3:05 AM by Dirk Deppey | permalink



Sunday, March 16, 2003

Sunday Scraps
(Potpourri) The following are a series of links that have collected in my notes but for a variety of reasons never made it to this weblog before now:

  • Reporter Michael Sangiacomo takes a look at the work of the cartoonists' relief fund ACTOR, with an emphasis on the efforts by the organization to assist veteran comic-book cartoonist Armando Gil through rocky economic circumstances.

  • Oh look, a major comics-book publisher with a clue! Toon Zone has the announcement from DC Comics concerning the recent launch of DCkids, an entry-level website for children.

  • Neil Gaiman alerts us to the BBC's three-part radio series commemorating the classic British comic book Radio Fun. The website also contains a generous gallery of covers and sample pages from the WWII-era children's comic.

  • Perpetually-dying webzine Salon has a feature on cartoonist Phoebe Gloeckner, whose media blitz in support of her new book The Diary of a Teenage Girl shows no sign of abating anytime soon. I'd tell you what I thought of the article, but being neither a paying subscriber nor willing to sit through an ad, I haven't read it. Ordinarily, I wouldn't even link to Salon for this very reason -- but this is Phoebe Gloeckner we're talking about, here.

  • The Pulse's Jennifer Contino offers a profile of funnybook humorist extraordinaire Roger Langridge, the creator of the series Fred the Clown. If you're not reading Fred, you're clearly some kind of life-hating idiot.

  • Slush Factory's Matt Martin reviews Jeffrey Brown's new self-published graphic novel Clumsy.

  • I just can't get enough stories about indy strip-cartoonists. Smalltown Illinois newspaper The Macomb Eagle profiles Ryan Thiele, an aspiring cartoonist whose weekdaily strip Clayton Tucker and the Recess Raiders recently debuted in another local paper, The Galesburg Register-Mail.

  • In the same spirit, Minnesota Public Radio recently sat down for a chat with Mitch Clem, who bills his strip Nothing Nice to Say as "the world's first online punk cartoon". Since I can find neither hide nor hair of John Crawford's Baboon Dooley, Rock Critic online, I'll let Clem get away with the claim.

  • While we're on the subject, here's a link to David Farley's strip Dr. Fun, which will celebrate its ten-year anniversary on September 24th, making it in all likelihood the internet's first online strip. (Link courtesy of North Carolina's Raleigh News & Observer.)

  • Ever had a dayjob in an industry that had its own cartoonists? I mean people who draw comics for their co-workers, which then get copied and passed around, faxed from office to office, that sort of thing. Texas' Odessa American introduces us to one such artist: Roy Don Parrish, whose cartoon From the Worm’s World details the underbelly of life as an oilrig worker.

  • The Dallas Mavericks have their own comic book.

  • Finally, José Carlos Neves has updated his Alan Moore - Lord of Chaos fansite, and one of the new attractions is a "Manifesto For Creators" (page one - page two - page three), an artifact of the creators' rights fight of the late '80s and early '90s, which was brainstormed together by Steve Bissette, Kevin Eastman, Dave Gibbons, Peter Laird, Frank Miller, Alan Moore, Stephen Murphy, Dave Sim, John Totleben, Rick Veitch and Michael Zulli. Speaking of which, you have until Friday to download another artifact from the same period -- MP3 excerpts from Gary Groth's interview with Steve Bissette and Scott McCloud on another such manifesto, the Creator's Bill of Rights.

See you Monday, when I may finally be finished with a follow-up to my Marvel Movie Doomsday Theory. Or not. I'm a-workin' on it, anyway...
Posted @ 2:20 AM by Dirk Deppey | permalink



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